Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London.
Join us for a first look at Billie Zangewa’s first major UK public exhibition, A Quiet Fire, and for a brief in conversation between the artist and Osei Bonsu, Curator of International Art, Tate Modern. This in conversation is part of the Exhibition Preview, open to the public 6.00 – 8.00pm.
Brighton CCA is delighted to present A Quiet Fire, the first solo exhibition in a UK institution by Malawian artist Billie Zangewa. In her work Zangewa creates intricate figurative collages from hand-stitched fragments of raw silk that challenge the historical stereotypes and perceptions used to objectify and exploit Black women. Zangewa creates images of strength, independence and tenderness, often contrasted with darker moments of prejudice or distain to embody a combination of melancholy and hope which is both autobiographical and universal.
This event is free, no booking required.
Billie Zangewa has been show widely in the United States and Europe. Her work is in several public and private collections including the Albright-Knox Art Gallery, Buffalo, NY; Centre Pompidou, Paris, France; Harris Museum, Art Gallery & Library, Preston, United Kingdom; Hood Museum of Art, Dartmouth College, Hanover, NH; Institute of Contemporary Art / Boston, Boston, MA; Johannesburg Art Gallery, Johannesburg, South Africa; JP Morgan Chase Art Collection, New York, NY; Minneapolis Institute of Art, Minneapolis, MN; Museum of Fine Arts, Houston, TX; National Museum of African Art, Smithsonian Institution, Washington, D.C.; Norval Foundation, Cape Town, South Africa; RISD Museum, Providence, RI; Spelman College Museum of Fine Art, Atlanta, GA; Stedelijk Museum Amsterdam, Amsterdam, Netherlands; and Tate Modern, London, United Kingdom. She is represented by Lehmann Maupin Gallery.
Osei Bonsu is a British-Ghanaian curator and writer based in London and Paris. He is currently a curator of International Art at Tate Modern, where he is responsible for organising exhibitions, developing the museum’s collection and broadening the representation of artists from Africa and the African diaspora. As a leading curator of contemporary art, he has advised museums, art fairs and private collections internationally and mentored emerging artists through his digital platform, Creative Africa Network. Bonsu has worked as a contributing editor for Frieze magazine and has contributed to a number of exhibition catalogues and arts publications including ArtReview, Numero Art and Vogue. Through his writing, Bonsu focuses on the relationship between art and issues of migration, race and identity in contemporary society. He has lectured widely on these subjects at various institutions including the University of Cambridge, Courtauld Institute of Art, and Royal College of Art among others. Bonsu holds a Masters in History of Art from University College London, and a BA in Curatorial Studies from Central Saint Martins. In 2020, he was named as one of Apollo Magazine’s ‘40 under 40’ leading African voices.